
Crossing Midnight
Written by Mike Carey
Art by Jim Fern
$9.99
Vertigo/DC Comics
The last few years have seen a revival of fairy tales in popular media (Pan’s Labyrinth, Brothers Grimm, Stardust, Fables, and the god awful, Lady in the Water come to mind). But ask a comic book fan where the fairy tale disappeared to and the answer would probably be “No where.” Comics have always played on the notions of fantasy, the macabre and morality play for decades. Just like fairy tales.
But the mechanics of a fairy tale, have been elusive for the most part (Admittedly, I haven’t been looking hard enough). That is, what makes a fairy tale a fairy tale. Some seem to have figured it out (Neil Gaiman), others have seem to understand but are incapable of refurbishing it under modern trappings (M. Knight Shamayalan).
Mike Carey and Jim Fern’s Crossing Midnight seems to have successfully accomplished both.
Crossing Midnight could have easily been conceived as a Manga or Anime. Its interpretation of Japanese mythology/folk lore appears that precise.
It’s a story about a family indebted to “The Kami,” spirits who reside in a world outside of ours. Their purpose seems to be (I say “seems” because the series is not over yet) to rule over the everyday objects the Japanese make and use. Objects such as swords.
The family line has been incapable of manipulating blades, in any incarnation, since Ancient Japan. But modern day, twins, Toshi and Kai Hara seem to be the first since then to channel this ability. When Aratsu, lord of knives, arrives in the bedroom of teenage Toshi, he demands her to fulfill a debt placed before she was born.
This may all seem like very basic material --- but it’s not. The stories intrigue stems from what personal drama within this family line has caused this supernatural collision between The Kami world and ours. And why after all this time has the girl, Toshi, manifested this ability and been selected to fulfill this debt.
It’s to the credit of writer Mike Carey (X-Men, Lucifer, Hellblazer), that this story is inviting to western sensibilities, as well as, people familiar with the trappings of Anime and Manga.
It’s because of Carey’s whoa-inducing, imaginative, writing that the fantasy elements don’t overtake the characterization (a mistake I see a lot of in pieces like this), and the violence, while sparse, happens at the most appropriate moments.
Speaking of characterization, Carey uses a lot of flashbacks to give us insight into the family. Normally this would break the rhythm of the story, but here it is just as intriguing as the fairy tale elements, often blending into them (there is a great bit with the Yakuza that is played up early in the book and, effortlessly, seeps right into the fantasy of the story.)
If you are a fan of Bill Willingham’s Fables or a fan of Manga and Anime, then this book is perfect for you.
Vertigo/DC Comics
The last few years have seen a revival of fairy tales in popular media (Pan’s Labyrinth, Brothers Grimm, Stardust, Fables, and the god awful, Lady in the Water come to mind). But ask a comic book fan where the fairy tale disappeared to and the answer would probably be “No where.” Comics have always played on the notions of fantasy, the macabre and morality play for decades. Just like fairy tales.
But the mechanics of a fairy tale, have been elusive for the most part (Admittedly, I haven’t been looking hard enough). That is, what makes a fairy tale a fairy tale. Some seem to have figured it out (Neil Gaiman), others have seem to understand but are incapable of refurbishing it under modern trappings (M. Knight Shamayalan).
Mike Carey and Jim Fern’s Crossing Midnight seems to have successfully accomplished both.
Crossing Midnight could have easily been conceived as a Manga or Anime. Its interpretation of Japanese mythology/folk lore appears that precise.
It’s a story about a family indebted to “The Kami,” spirits who reside in a world outside of ours. Their purpose seems to be (I say “seems” because the series is not over yet) to rule over the everyday objects the Japanese make and use. Objects such as swords.
The family line has been incapable of manipulating blades, in any incarnation, since Ancient Japan. But modern day, twins, Toshi and Kai Hara seem to be the first since then to channel this ability. When Aratsu, lord of knives, arrives in the bedroom of teenage Toshi, he demands her to fulfill a debt placed before she was born.
This may all seem like very basic material --- but it’s not. The stories intrigue stems from what personal drama within this family line has caused this supernatural collision between The Kami world and ours. And why after all this time has the girl, Toshi, manifested this ability and been selected to fulfill this debt.
It’s to the credit of writer Mike Carey (X-Men, Lucifer, Hellblazer), that this story is inviting to western sensibilities, as well as, people familiar with the trappings of Anime and Manga.
It’s because of Carey’s whoa-inducing, imaginative, writing that the fantasy elements don’t overtake the characterization (a mistake I see a lot of in pieces like this), and the violence, while sparse, happens at the most appropriate moments.
Speaking of characterization, Carey uses a lot of flashbacks to give us insight into the family. Normally this would break the rhythm of the story, but here it is just as intriguing as the fairy tale elements, often blending into them (there is a great bit with the Yakuza that is played up early in the book and, effortlessly, seeps right into the fantasy of the story.)
If you are a fan of Bill Willingham’s Fables or a fan of Manga and Anime, then this book is perfect for you.

