12.31.2008

Of Note Magazine


Somewhere in 1999, the lazily-lit halls of Northwestern High School we’re to be destroyed. Summer would mark the end of the original construct that had educated my kind-hearted Aunt Donna and Jim “Sesame Street” Henson.
It would be my final year at NHS, and in turn, my graduating class would be the swan song for the old school. Her destruction would give way to a millennium monster --- from mid-20th century crumblings to a sleeker, less penitentiary-like, glass Gojira.
1999 also marked the year that I began to stumble into my own. I discovered the power of the written word, or more specifically how much fun it would be to punch it in the face. JOURNALISM 101, the apex of adolescent misfit knighthood, had summoned me.
In high school TV shows, movies, and/or books, we’re told that the only thing more socially unacceptable than being a mathlete is being in journalism class. Yet, Northwestern was a strange animal --- the normal hierarchy didn’t exist. Our sports teams were lackluster, our popular students already had kids, our student body was a melting pot, and our gangs were unmotivated. Such is life in Hyattsville, Maryland.
The teachers, Mrs. Moyer and Mrs. Festin, had assembled their Journalism class like Yul Brynner. Every race, every background, every angle was covered in their daily attendance sheet. They inspired us to be a winning team (the only one at NHS) for a simple school paper. It was the first, and to my primitive understanding, the last of it’s kind there (Though recently, at the Small Press Expo, I bumped into members of the journalism class of ’08…it was an embarrassingly warm feeling that struck me when I saw the diversity and promise in those young whipper-snappers).
Admittedly, I dislike thinking about High School in such a nostalgic way. Not only does it make me feel old and unaccomplished, but it also seems cliché and silly to over-emphasize such an awkward period in my life (Ironically, that’s when I realized that both “Bamn” and another upcoming comic project of mine generates so heavily around that notion). But recently I’ve been double-taked by Northwestern. First, I made the horrible mistake of joining Facebook. Then, all the people I know who escaped the pregnancy disease that was plaguing NHS are NOW having babies. I’ve had several impromptu reunion moments on the subway; I meet a handful of kids from Northwestern’s school newspaper at SPX, and now…now I’m sliding my movie reviews under the door for OfNote Magazine.
OfNote is an online magazine dedicated to the arts and people of color. Their goal is to, either, bring the arts to it’s intended audience or the intended audience to the arts. It's founder, Grace Ali, happens to be one of the many memorable people from my Journalism 101 days. One look at her bio and you can see that:
A) She’s made a complete and total mess of her life.
B) She’s the perfect person to jump start a website like this.
But don’t start thinking that this alumni assembly means I’m going to be attending my reunion next year. No, sir…I get enough of that at the liquor store.

Happy New Year! Now, go check out Of Note and my reviews!:

12.24.2008

Christmas Greetings...

When I was little (okay, I was never little) --- When I was a kid, Christmas commercials were like the Savior's birthday-version of Super Bowl commercials. They were plentiful, expensive, creepy, and flashy.
I guess sooner or later some marketing execs realize that January (the Super Bowl) and December (uh, Santa Bowl) were close together. Which in turn meant, "Hey! Why spend twice as much money on commercials in the same month-long block? Let's just do Super Bowl commercials! F@c& Christmas!"
The Christmas commercials became fewer and cheaper...the Super Bowl commercials got more expensive.
Then again, maybe me becoming a jaded adult meant that, as I got older, I just noticed Super Bowl commercials more than Christmas commercials. Maybe they never did go away.
AnyDamnway, the other day, I swear I noticed my first Christmas Commercial in years. Of course, it reeks of nerdom and sarcasm...
As my aunt would say, "Merry HoHo!"

12.22.2008

A.I.



A.I.
Directed by Steven Spielberg
Staring Haley Joel Osment, William Hurt and Jude Law

Director Steven Spielberg belongs to us the audience. The undying crowd-pleaser in him, is his greatest asset. It’s also his greatest flaw.
In the last decade, the ever upbeat, Spielberg has had to become a cynic. The reasoning has more to do with the changing audience than the director himself, but he’s not wired to commit to an unhappy ending.
For this reason, A.I., his collaboration with the late Stanley Kubrick, is brilliant and frustrating.
A.I. reboots both directors’ obsession with the classic fairy tale Pinocchio. The world of the wooden boy who wishes to become real is re-imagined for the future. Robots provide the world with indentured service, in some cases, really pushing the moral limits of robot/human relationships.
Too young to be this accomplished, Haley Joel Osment plays David, “a 100 miles of fiber” created by William Hurt (Geppetto) to fill the role of one couples’ comatose son. David is a robotic prototype and the first of his kind. The hope is that David can be mass manufactured to provide many parents with a new familial setting.
But the big question is can this android dream electric sheep? Can he feel and react accordingly? Can he provide a true emotional experience for human parents? David is put to the test, when his adoptive parents are pleasantly surprised by their real sons awakening.
The assimilation of Steven Spielberg’s externalization with Kubrick’s internalization is the true treat of A.I. Two certified filmmaking geniuses have come together to have a philosophical debate on screen. Between the land of the living and the land of the dead, they ponder the true existence of humanity with their film cameras.
Kubrick’s has always had a way of making you squirm, creating a tense, rubberband snapping anticipation to characterize all his films. Spielberg, commercially viable since birth, has always been a master of suspense. Now imagine those two traits engineering a bizarre sci-fi experience.
Spielberg takes a skill he reserves for Velociraptors and Kubrick gets to ring his hands at the squirming director.
The downfall of the movie stems from Spielberg’s insistence to get all sugary with the last 20mins of the movie. You can literally stop the film at 1hr and 55mins and walk away from it certain of it’s display of genius.
For the finale, Spielberg is left to his own faculties in the absence of, the departed, Kubrick. It stands to reason that he should have known better than to hit the 2 hour mark with a narration by Bens Kingsley that states, “2000 years later” and features technologically advanced robots.
In spite of that, it also stands to reason that Kubrick was right. No one could have made this film other than Steven Spielberg.

12.19.2008

Comic Books Saved the Sci-Fi film



MSN has had their digits on the fanboy pulse for a while now, creating surprisingly objective mini-articles about the comic book-to-film genre.

This week they topped themselves with a piece that asks if the comic book movie can turn the page?

The media has (not to fairly) always joked about the fortitude of the comic book industry, it's fans, and it's films, but the very existence of an examination of this type on a major site like MSN is proof that "funny books" have undergone a drastic shift. It's not much but it says alot in terms of the public perception of the industry...


HERE YA GO:

Also, SWISH THIS AROUND. SEE HOW IT FEELS:

12.18.2008

Miasma



Yeah, I just discovered what "miasma" means. So!
Anyway...found this online. You know how the saying goes: "If it's too good to be true..."
Any of you early Gen-Xers know if a similar situation occured during the drama of 1973? I could Wiki it, but I like to hear people sound off instead. Just curious.

Read on,

Troy

FROM MSN:

Cheap Gas: Blessing or Curse?
Recent drops in prices at the pumps have many questioning whether Americans will continue on their path to efficiency or go back to their old, wasteful ways.
By Jacob Gordon of
TreeHugger

The national price for unleaded gas has dropped more than 125 percent from a year ago. Diesel prices have fallen more than 80 percent.
If you're looking for a ray of hope during these dark economic days, plummeting prices at the gas pumps isn't it. In fact, this pump-side reprieve might just be a curse in disguise. Cheap gas is as much a sign of a sick economy as home foreclosures or the mess that's unfolding in Detroit with the Big Three American automakers. It also gives motorists an excuse to go back to their gas-guzzling ways, by fostering the perception that it is no longer a financial imperative to be efficient. Nothing could be further from the truth, according to the experts.
Low Prices Are TemporaryAfter topping $4.00 a gallon just a few months back, gas prices have fallen to their lowest levels in almost four years. And some experts forecast that unleaded will drop as low as $1.50 a gallon in coming months.
Although there is still heated debate over how low gas prices will actually fall, all of the experts we talked with agree on one thing: Cheap gas is not here to stay.
View Pictures: Top Hybrids
"Continued volatility in gas prices should be expected," says Kelly Sims Gallagher of the Belfer Center for Science & International Affairs at Harvard's Kennedy School. "Gas prices will increase again. Reduced demand based on the economic downturn is only temporarily pushing them down."
Cheap Gas Also Has ConsequencesWhile a return to $2-a-gallon gas is a nice break for cash-strapped Americans, it remains to be seen how this cheap gas will affect our future vehicle purchases and our government's policies toward fuel economy. Will lower costs at the pumps send us "from shock to trance," as President-elect Barack Obama recently put it, sending Americans running back to their gas guzzlers, or will the public continue to embrace smaller, more fuel-efficient cars and hybrids?
In a recent 60 Minutes interview, Obama said that with oil under $60 a barrel, doing something about the energy predicament is more important than ever. "It may be a little harder politically," he said, "but it's more important."
Why, you ask? We could be looking at a setback for high-mpg, low-carbon auto technology. "I believe the future will bring unnerving volatility, not permanently higher oil prices," says Vijay Vaitheeswaran, environment and energy correspondent for The Economist. "And that can be the enemy of greener fuels and clean technology because, as happened in the 1990s, low oil prices lead to lack of investment in
green fuels."
Don't Look BackSales statistics don't lie. They clearly show that high gas prices have consumers driving smarter and turning away from SUVs and other gas guzzlers and toward smaller, more fuel-efficient vehicles such as the
MINI Cooper and hybrids such as the Toyota Prius. And the larger utility vehicles people are buying tend to be smaller crossover models, such as the Honda CR-V and Ford Escape, that get better gas mileage and offer a better ride than their more hefty siblings.
"Consumers should continue to purchase a vehicle that fulfills their needs in as fuel-efficient a model as they can find," says Michael Quincy, an auto expert for Consumer Reports. "People will need to look long and hard at need versus want."
Discuss: What do you think about cost of fuel in America? Are we better off paying less?
A bonus for those who do choose to stay on track and choose more fuel-efficient rides is reduced maintenance costs. Consumer Reports' recent reliability ratings found that the most dependable cars are often the most fuel-efficient, with hybrids scoring exceptionally well.
Break the AddictionCheap gasoline comes as a break for a country suffering some of the worst economic blows in recent history. But if we go back to our old habits, and Detroit keeps pumping out gas guzzlers, we haven't really progressed, but merely moved back into our comfort zone. As Obama said during his recent 60 Minutes interview: "We start filling up our SUVs again. As a consequence, we don't make any progress. It's part of the addiction."
Fact is, the best way for consumers to defend themselves against future price turmoil at the pump and to help reduce our dependence on foreign oil suppliers is to choose gas sippers instead of guzzlers. "The main thing that drivers can do is to buy more fuel-efficient cars so that high gas prices are not as burdensome when they return," Gallagher said.


Jacob Gordon is a freelance writer, a blogger for
TreeHugger.com and a producer of TreeHugger Radio. He can be reached at jacob@treehugger.com.

12.17.2008

Andre Campbell


FROM BAMNCAN.COM:


Gonna switch it up this week.


Not alot to report on the BAMN front. The art for issue # 2 is clicking, Dr. Dremo's Horrors of War is being drawn, I'm multi-tasking with re-writes for issue 2 and the issue #1 reprint, issue # 3 is slowly coming together, we've got a DCC meeting on Sunday to discuss the war anthology, and our SPX table is paid for.


With that said, Washington Post Magazine published an interesting article about a blind Baltimore comic artist named Andre Campbell. In the interest of...interest, and in an effort to pay it forward though indy artist, I wanted to share the piece with you guys online...


CHECK IT OUT:


http://www.washingtonpost.com/wp-dyn/content/article/2008/12/05/AR2008120501808.html

TROY

12.16.2008

Grinding One Out

Way back in 2007, (full-time foot-fetishist/some-time filmmaker) Quentin Tarantino and  (my personal hero) Robert Rodriguez underwent a nostalgic experiment. GRINDHOUSE,
an unabashedly shlocky double-feature, was met with appreciative reviews and little theatre attendance. 
The poor turn out befuddled me. Why wouldn't you go to see two movies for the price of a single ticket...let alone from two of modern cinemas golden boys?
History would have to present proof that the individual films were a success, but the promising notion of a 2-for-1 picture show had experienced a quick death.
In Hollywood, however, imitation can truly be the sincerest form of flattery. The bean counters of Tinsel Town dismissed GRINDHOUSE, but newer filmmakers are crawling out of the wreckage.
Okay, this may not be entirely SAFE FOR WORK. View at your own risk...or at least at a corner cubicle :)






12.15.2008

Wolverine Trailer Bootlegged

My expectations were low, but now...




And the Real Deal...

12.12.2008

Slumdog Millionaire



Slumdog Millionaire

Directed by Danny Boyle and Loveleen Tandan

Starring Dev Patel, Anil Kapoor, Freida Pinto


It doesn't happen often, but once in awhile you hit paydirt at the movies. You spend your whole pitiful fanboy existence in the blogosphere bitching and whining about pop culture and then…reaffirmation. You realize you’ve been a cynic and someone was going to pull your card.
That person is, director, Danny Boyle (28 DAYS LATER, TRAINSPOTTING, SUNSHINE). That movie is SLUMDOG MILLIONAIRE.
MILLIONAIRE, for me, falls in the category of PAN’S LABYRINTH and CHILDREN OF MEN. Movies that humble the viewer, makes you ask obediently for another.
The base is largely straight forward, but the energy of the film is unique. Boyle attacks the underdog story instead of directs it. He orchestrates a crime tale, a love story, a familial story, a commentary about the class system, a story of persecution like it was a fist fight.
It reminds me alot of Martin Scorsese’s KUNDUN. A director, going against the grain and wielding an inspirational story like a weapon.
Millionaire is about the ideals as much as the story. That’s what makes it so damn interesting.
Jamal Malik, a kid from the slums of Mumbai, loses his entire family to selfishness. Chance brings him to the Hindi version of WHO WANTS TO BE A MILLIONAIRE (I guess “Who Wants to Win A @$$load of Rupees” doesn’t have the same kick). But is it chance that allows him to answer all the questions correctly or is he cheating? Nobody believes that a “slumdog” can be THAT smart.
The local law enforcement gets involved and the day before he’s set to break the show’s record, he’s subjected to torture. What unravels is not just how he answered the questions on the show, but how he answers the big question: “Can money buy you happiness?”
It may sound like an Indian regurgitation of QUIZ SHOW, but it’s much more forceful.
Boyle, Loveleen Tandan (co-director), Simon Beaufoy (screenwriter), and an amazing cast of young actors fooled me into thinking SLUMDOG was a Biopic. It’s not. The energy is just that palpable, the ambition just that unshakable.
In a season of faux-inspirational films and a President-Elect invoking the potential of the human spirit, this film couldn’t come at a better time.

12.11.2008

Role Models



Role Models
Directed by David Wain
Starring Paul Rudd, Sean William Scott, Elizabeth Banks, Christopher Mintz-Plasse, Jane Lynch

Seriously, Elizabeth Banks. Stop stalking me! I'm flattered. Really. You're an attractive woman. I liked you in SPIDER-MAN and SPIDER-MAN 2 (not so much SPIDER-MAN 3, but that wasn't really your fault), but for real...STOP! I've been to the movies 4 times in the last 3 weeks. I've seen you just beyond the front row...EVERY SINGLE TIME!
You're in trailers (THE UNINVITED), you're in comedies (ZACK AND MIRI MAKE A PORNO), you're in Biopics (W.)...and now you're in ROLE MODELS too?!
CUT IT OUT! I know what you're capable of. You killed Parker Posey and replaced her. I will not allow you to do the same to me!

Oh...ROLE MODELS? Funniest thing I've seen all year.

12.10.2008

Enter: Ron



Ronoman AKA Ron Crisotbal recently jumped onboard the towering inferno that is BAMN. Ron’s a good buddy of ours from our Alliance Comics days and he propositioned us to help edit the comic.
I’ll be the first to joke about the plethora of typos in my writing, but I’m also quick to point out that a little editorial assist would be nice. Ron, who proof reads legal documents by day, will be credited with the title of editor starting with issue 2.
Cristobal is a jack-of-all-trades, studying for his Doctorate and moonlighting as a musician in his spare time.
I knew we had the right guy when Ron sited Peter David’s run on INCREDIBLE HULK and then, invited us to watch the WWE pay-per-view at his apartment downtown.
Be sure to check out his music on MySpace, ‘cause we damn sure ain’t paying him for this gig…
Crap. He didn't know that.

12.09.2008

Punisher: War Zone





Punisher: War Zone
Directed by Lexi Alexander
Starring Ray Stevenson, Dominic West

For some reason they still can’t quite get Marvel’s The Punisher right.
3 lead actors, 2 reboots, and a million chopped/decapitated/bullet-riddled mob bosses later, Hollywood can’t quite figure out what to do with this monster that, ironically, they practically created.
It’s no big secret or surprise that Punisher (who debuted in a Spider-Man comic of all things), was birthed out of the 1970s movie anti-hero. He was Gerry Conway’s answer to DIRTY HARRY and DEATH WISH (though PUNISHER: WAR ZONE’s credits seems quite prepared to not acknowledge John Romita Sr., Ross Andru, or him).
So why the hell is it that a character steeped in revenge flick fantasies can’t get a decent movie?
Lexi Alexander seemed to be the answer. Her GREEN STREET cred’ demanded her for the role of director.
While enjoying this film's concentrated colors, you get an idea that she was attempting to create the failed GRINDHOUSE re-experience. A logical move considering where Punisher came from and what he’d be viewed as by non-fans. Yet she never finds the right pitch.
Frank Castle has already been punishing criminals when the film starts, his death toll fills up the entire room of a police precinct. When his latest act of vengeance takes an unexpected casualty, the feds decide to finally take the initiative. A Punisher Task Force is assembled, but with limited resources.
They ain’t the only ones looking for Castle either, an obnoxious Dominic West starts rallying the troops in an effort to bring Punisher down for recycling his face.
Meanwhile, Punisher (a bit uncharacteristically, I’ll add) is all chewed up inside for the innocent life he’s taken. He threatens to retire for good…but give him 3 seconds to think about it.
This could work in a goofy DESPERADO/300 kind of way, but Lexi Alexander and the cast (too frequently) forget to let the audience in on the joke.
Only in the middle does the film seem to hit a nice stride between violence and dark humor. Before and after that are a lot of boring shoot outs (Boo to people aiming around corners) even more wasted characters (Soap was a lot more entertaining in Garth Ennis’ comic), some weird Iraq War commentary (Really guys? Here?), and some more inconsistent but hysterical violence (Punisher takes it to a “free-runner” in a way that would make James Bond jealous).
Ultimately, PUNISHER is a carbon copy of his vigilante ancestors. In the comics, he’d kick Harvey Keitel and Clint Eastwood’s @$$. Here? Just a flesh wound, not a direct hit.

12.08.2008

Bill Ayers


For those of you not caught up on your 1970s radicals (too which there are many to pick from), the Weather Underground aren't a group of Supervillians led by Topper Shutt. No, the Weathermen were "domestic terrorist" comprised of pissed-off white college students. Fed up with the Vietnamese War and corrupt politics (in a nutshell) they asserted themselves into an over-imposing American government. Claiming responsibility for jailbreaks, riots, and bombings of government buildings.

I'm not giving an accurate description but anyway, during the recent Prez Election, Barack Obama's loose-affiliation (okay, maybe they weren't that loose) with his neighbor, William Ayers came into light. Both, Hillary Clinton's and John McCain's campaigns tried to passive-agressively link Obama with Ayers and the Underground (Though Clinton's husband, if I recall correctly, actually gave some sort of presidential pardon to Patty Hearst, who, for all intents and purposes, would also be deemed a "domestic terrorist.")

Well, the biggest news this week was that, after wisely opting for silence, Weatherman, Bill Ayers put out an Op-Ed piece in the New York Times:


If you're curious about this whole Weatherman-thing (man, my blog is so gonna get flagged), check out the documentary titled "The Weather Underground." I saw it about 1 year ago and it is an amazing depiction of the state of disarray America was in during the 1970s. It makes me wonder who was worse Nixon or Bush...

12.05.2008

Quantum of Solace




Quantum of Solace
Directed by Marc Forster
Starring Daniel Craig, Olga Kurylenko, Mathieu Amalric, and Judi Dench

It's business as usual for James Bond in Quantum of Solace. 
Over-populated with dull, SOLACE has Daniel Craig run, jump, parachute, and speed-boat in the name of revenge. 
He's still all pissy about Eva Green's watery death/betrayal in the kick-@$$ CASINO ROYALE (2006). 
Between fire escape free-running and some pretention, Bond encounters a connect-the-dots plot to control a South American water supply. Of course there is an (exceptionally) beautiful woman involved.
New Bond director, Marc Forster, along with writers, Paul Haggis, Neal Purvis, and Robert Wade have made the wise choice of giving the story a contemporarily "Green" backdrop, but it forests a series of distractions instead of intrigue.
The film's finale, while notably vicious, reinforces all the seemingly baseless concerns people had about a Bond reboot in the first place. It's ruthless so it can be considered different...but it isn't.
You can shake it, you can stir it, but it's still the same dry martini.

12.03.2008

Vote for Bamn @ Current.com






Vote for Bamn @ Current.com

Current TV is Al Gore's call and response to the internet generation. Indie directors, Vloggers, documentarians, and pretty much anyone with ambition and a camera can post their videos at http://www.current.com/. Viewers then vote for the video to be aired in regular rotation on Current TV (available on Fios and Comcast).
We've submitted our video "Jay on Bamn" to be voted for and aired on the television station.
If you haven't seen "Jay on Bamn" just click the embedded video above, then go HERE to cast your vote:http://current.com/items/89568951/jay_on_bamn.htm

Mini-Comic Con
BAMN has joined up with MING'S SECRET BLOG! I-Ming, the site's creator and blogger, hosts a regular blog called the "Mini-Comic Con." There, indie artist can hosts their own table and display what they have to offer, giving rubber-neckers a chance to check out and purchase comics from new and upcoming series.
I-Ming is a buddy of ours on Twitter and plans to set up our Bamn table before the month is out. Be sure to check our site for updates on Bamn's Mini-Comic Con!

Bamn 2nd Printing
Thanks to Ron Cristobal, Bamn #1 is undergoing, much needed, re-editing. We plan to have a second printing up @ Comixpress, Third Eye Comics and Alliance Comics by January.
The 2nd print will sport a new "Molly" cover, but that doesn't mean you can't get the original printing anymore! Bamn #1, the 1st printing, is still available online @ Comixpress.com.
Once the 2nd Printing drops the 1st Printing will not be available anywhere else but Comixpress!

Disposable Heroes
The Dr. Dremo's War Anthology has a deadline of February of 2009. David Dean will be doing the artwork with Jay Payne. I (Me) have already completed the script and Jay is working on the layouts so Dave can do the finished art.
"Disposable Heroes" will be a 4 page short story inside the anthology, featuring the real life events of Specialist Sergio Estavia's time in Iraq.
I've known Sergio since Junior High School, he joined the military around 9/11 (and he's quick to pint out he didn't join because of it) and agreed to share one of his most brutal tales from Iraq.
"Disposable Heroes" centers on one particular encounter during the Iraqi general elections and I think it'll shock (and awe) alot of people.

The Dr. Dremo's War Anthology is dubbed "Horrors of War."
Information on where and when it will become available is forthcoming.
Horrors of War is brought to us by DC Conspiracy and edited by Evan Keeling.
Bamn #2
She's written!
Jay has already drawn 5 of the 22 pages...and counting.
Finished with the War comic, I'm moving onto issue #3.
It's safe to say, me getting laid off was the best thing to happen to this comic since SPX :(

See ya next week,

Troy

12.01.2008

Ba-WOOSH!


Gotta admit. I read stuff like this online and I have to take it with a grain of salt. I mean, I'm a natural skeptic...naturally. I don't believe anything the first time I hear it. This is a necessary trait when working in a comic shop and being bombarded by fanboy speculation of any kind.
I mean people can't be so oblivious that they flush an unborn kid after getting off the crapper?!?! Can they?
I'm taking this lightly until proven true. Make sure to follow the link in the middle of the article about parenting mishaps.Enjoy your work day (heh heh)...